Rare Book Monthly

Articles - May - 2020 Issue

An Exceptional Sale at Morphy’s: A collection of the American Revolutionary Era and the War of 1812 material

The personal collection of Al Benting, comprising 210 lots of Revolutionary and War of 1812 material, is to be sold at Morphy’s in Denver, Pennsylvania on May 27th.  Winning bidders will be ecstatic and losing bidders grief stricken.  It’s just one of those sales, that with one glance you realize you rarely see so much exceptionally unusual and important material.  Bon Chance!

 

A sumptuous catalogued presentation is available in both digital and traditional printed forms [links below].

 

Mr. Benting has provided a letter explaining why the material is unusually good.  It was born of attitude and is expressed in the collection’s name:  “For Liberty, I Live.”  From there are links to the catalogue, to the slide show on RBH along with links providing access to additional images and contacts to Morphy’s curators.

 

Make bidding arrangements early.  The auction will be widely subscribed.

 

This book illustrates my collection amassed over the last quarter of a century with God’s help, luck, perseverance, networking, research, debt, and quite a bit of love and understanding from my wife, Jane, without whom, the collection and this book never would have come into being.

It seems to me that a good collection is built depending simply upon which finger God points at you when he says, “Your turn,” but usually, the best items come along when you have the least amount of money to spend.

Well before my time in the early days of collections, informationon eighteenth-century militaria was scarce, and many collector-accumulators amassed great piles of stuff based upon price, with one piece or another, except by luck, having very little relevance to the others in the “collection”. The really old-time collector might have had a closet full of Brown Bess muskets, most could hardly distinguish an early one from a late model until around the third quarter of the twentieth century when scholars had written enough to begin a rudimentary understanding of what many items really are.

One of the first collector scholars of the old generation whom I am proud to have known is George Neumann, who passionately wrote with great common sense but with little research material available beyond dug artifacts, old information, and great instinct. In the beginning, without scholars like George, I doubt that a great deal of today’s knowledge would exist because research builds upon prior research, just as knowledge builds upon itself. I confess that even though we sometimes disagreed on what some things are and were, I consider George, in his boundless passion and patriotism, to be the father of modern Revolutionary War collecting. When he passed away, so did his great knowledge understanding, and kindness.

By no means were George’s works, Swords and Blades of the American Revolution and Battle Weapons of the American Revolution, the only references of importance at the time; there are many other excellent writers who did great research in the same time frame, just as many of today’s writers are constantly publishing new discoveries based upon old information and a new tidbit or two.

I count myself fortunate to have known and been somewhat educated by many of the “old generation” collectors and dealers who knew some of the really old-timers. These men, like Bill Guthman, who sold me several items herein illustrated – to whom I am greatly indebted – went on to uncover a great deal of information about early military artifacts.

Many of these collectors have contributed greatly to my life, and, of course, to this book. Dealers like Neumann, Guthman, and Al Thompson – who was not very happy when Bill Coakley sold me my first musket marked to the 17th Massachusetts – have passed away. Since I began my quest, every item in the collection has left memories, mostly good, which I store in heart and mind. Coakley, for instance, was a stickler on condition and the relevance of one piece to another. He would annually drop by to seemingly “ruthlessly” evaluate my collection. I used to tease that because Bill was a banker, he had no heart; but under his great guidance, many romantic notions I used to have rapidly became irrelevant! Some good things left the collection because they were not pertinent to it, but the proceeds from these items and the many blunders I made along the way – some of them horrific- paid for other more pertinent things. These mistakes certainly sharpened my eye.

I honestly believe that if a collector never makes a mistake, he is not working hard enough in his endeavors. Years ago, for a lot of money, I bought a Committee of Safety musket made up of a French musket with spurious maker’s marks on the lock in an auction. There’s no better way to learn about an item than by taking a hit on something that should have been but isn’t. Lose money once, and you never forget!

On another bad day, I bought a pair of pistols with an outstanding holster from a Cape Cod dealer who swore it had come from inside the wall of an old house in Boston and had been used at the outbreak of the Revolution. The author, friend, and voracious collector, Bob Brooker, with his gargantuan laugh and infinite knowledge shortly thereafter straightened me out (hopefully forever) about a collector’s wishful thinking. I remember his scathing words: “Al, those are pretty good, but what do Persian pistols have to do with the Siege of Boston?” Being either hardheaded or a dumb collector, I hope I have now learned that every item I buy must stand on its own, regardless of the “sizzle” offered by the seller. Yes, the pistols were used during the turbulent years in Boston but hallway around the world.

It seems pertinent to understand that a little bit of knowledge may be worse than none; however, like the occasion
I went on a call to buy a gun that “had been at Concord Bridge,” only to discover that the musket was an early nineteenth-century model Springfield. I was told that the family had sold the “beat-up old fowler” because it “was not military so was not used in the revolution.”

On the other hand, the musket herein illustrated and believed carried by Captain Joseph Robins at Concord Bridge
is from the original Robbins estate in Acton, Massachusetts, which was inherited by my father in the late 1960s. He knew the gun, the great family historian, my ancient uncle Fred Robbins knew the gun, and I knew it was a kid while visiting the family home in Acton. One can be reasonably sure that because each part on the musket dates to before the revolution, that because the musket came from historic circumstances from a family that never bought but only inherited antiques, there’s an excellent chance that this is indeed, Joseph Robin’s musket. Unfortunately, my dad sold the engraved powder horn belonging to Robins. It’s a cut-down horn that later showed up in Bill Guthman’s collection and is now, to my knowledge, displayed at the museum in Deerfield, Massachusetts.

Today’s collecting process demands constant alteration to one’s thinking not only because of new research, but also because many items have become insanely expensive. I tell beginning collectors that these days, even just one item might well comprise a great “collection”. Perhaps a few items grouped together, in which every item enhances the value and interest of the entire lot, makes the best collection.

Knowledge, even more important than money, is paramount to building a great collection. Every item must stand on its own and enhance interest in the whole, regardless of the romantic story offered by the seller, who always seems to be your newest best friend. History fall into place in a much more logical fashion when you know as much or more than the seller does, and good items are best illustrated in one’s collection by the items surrounding it.

I was casually asked one Sunday afternoon at a Mass Arms Collector’s meeting, “What do you collect?” I said, “Lexington, Concord, Bunker Hill, and the Siege of Boston prior to March of 1776, inside the Route 128 beltway except for Concord, which bumps out a little bit to the West,” but tis is not to say that my collection has not and could not be somehow convoluted to include other cool items I just could not live another day without!

I don’t think my collection will ever be finished, except, well, perhaps when I’m dead, when all my “pals” will be Jane’s pals lined up like buzzards on a split rail fence, ready to pounce on the carrion of my collection before my dead body is even a bit cool. My goal, however, is to take my last ride in a very heavy coffin clanking down the church’s aisle, supported by my four nephews and two sons-in-law, with all my stuff and me inside.

Al Benting

2000 North Reading Road
Denver, PA 17517

Phone: 717-335-3435 | Fax: 717-336-7115
Email: info@morphyauctions.com.

 

Links:  Morphy Auctions Website:  https://www.morphyauctions.com/

 

Links:  Morphy Auctions:  Upcoming Auctions  https://www.morphyauctions.com/auctions/

 

Links:  Morphy Auctions:  Bidding Options:  https://www.morphyauctions.com/bidding/

 

Rare Book Monthly

  • Forum Auctions
    Fine Books, Manuscripts and Works on Paper
    27th March 2025
    Forum, Mar. 27: Dürer (Albrecht) Hierin sind begriffen vier bücher von menschlicher Proportion, 4 parts in 1, first edition, Nuremberg, Hieronymus Andreae for Agnes Dürer, 1528. £30,000 to £40,000.
    Forum, Mar. 27: Book of Hours, Use of Rome, illuminated manuscript in Latin, on vellum, 26 fine hand-painted miniatures, 17th century dark brown morocco, [Lyon], [c. 1475 and later c. 1490-1500]. £25,000 to £35,000.
    Forum, Mar. 27: Brontë (Emily) The North Wind, watercolour, [1842]. £15,000 to £20,000.
    Forum, Mar. 27: Titanic.- Mudd (Thomas Cupper, one of the youngest victims of the sinking of the Titanic, 1895-1912) Autograph Letter signed on board RMS Titanic to his mother, April 11th 1912. £20,000 to £30,000.
    Forum Auctions
    Fine Books, Manuscripts and Works on Paper
    27th March 2025
    Forum, Mar. 27: [Austen (Jane)] Emma: A Novel, 3 vol., first edition, for John Murray, 1816. £10,000 to £15,000.
    Forum, Mar. 27: Picasso (Pablo).- Ovid. Les Metamorphoses, one of 95 copies, signed by the artist, Lausanne, Albert Skira, 1931. £10,000 to £15,000.
    Forum, Mar. 27: America.- Ogilby (John) America: Being the Latest, and Most Accurate Description of the New World..., all maps with vibrant hand-colouring in outline, probably by an early hand, 1671. £15,000 to £25,000.
    Forum, Mar. 27: Iceland.- Geological exploration.- Bright (Dr. Richard )and Edward Bird. Collection of twenty original drawings from travels in Iceland with Henry Holland and George Mackenzie, watercolours, [1810]. £20,000 to £30,000.
  • Forum Auctions
    The Library of Barry Humphries
    26th March 2025
    Forum, Mar. 26: Beckford (William) [Vathek] An Arabian Tale, first (but unauthorised) edition, Lady Caroline Lamb's copy with her signature and notes, 1786. £2,000 to £3,000.
    Forum, Mar. 26: Baudelaire (Charles) Les Fleurs du Mal, first edition containing the 6 suppressed poems, first issue, contemporary half black morocco, Paris, 1857. £4,000 to £6,000.
    Forum, Mar. 26: Beardsley (Aubrey).- Pope (Alexander) The Rape of the Lock, one of 25 copies on Japanese vellum, Leonard Smithers, 1896. £4,000 to £6,000.
    Forum, Mar. 26: Douglas (Lord Alfred) Sonnets, first edition, the dedication copy, with signed presentation inscription from the author to his wife Olive Custance, The Academy, 1909. £2,000 to £3,000.
    Forum Auctions
    The Library of Barry Humphries
    26th March 2025
    Forum, Mar. 26: Crowley (Aleister) The Works..., 3 vol. in 1 (as issued)"Essay Competition" issue on India paper, signed presentation inscription from the author, 1905-07. £1,500 to £2,000.
    Forum, Mar. 26: Rodin (Auguste).- Mirbeau (Octave) Le Jardin des Supplices, one of 30 copies on chine with an additional suite, bound in dark purple goatskin, Paris, 1902. £3,000 to £4,000.
    Forum, Mar. 26: Pellar (Hans) Eight original book illustrations for 'Der verliebte Flamingo' [together with] a published copy of the first edition of the book, 1923. £6,000 to £8,000.
    Forum, Mar. 26: Cretté (Georges, binder).- Louÿs (Pierre) Les Aventures du Roi Pausole, 2 vol., one of 99 copies, with 2 original drawings, superbly bound in blue goatskin, gilt, Paris, 1930. £3,000 to £4,000.
  • Sotheby's
    Sell Your Fine Books & Manuscripts
    Sotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USD
    Sotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USD
    Sotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USD
    Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
    Sotheby's
    Sell Your Fine Books & Manuscripts
    Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
    Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
    Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
    Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
  • Swann
    Printed & Manuscript African Americana
    March 20, 2025
    Swann, Mar. 20: Lot 7: Thomas Fisher, The Negro's Memorial or Abolitionist's Catechism, London, 1825. $6,000 to $9,000.
    Swann, Mar. 20: Lot 78: Victor H. Green, The Negro Travelers' Green Book, New York, 1958. $20,000 to $30,000.
    Swann, Mar. 20: Lot 99: Rosa Parks, Hand-written recollection of her first meeting with Martin Luther King Jr., autograph manuscript, Detroit, c. 1990s. $30,000 to $40,000.
    Swann, Mar. 20: Lot 154: Frederick Douglass, Autograph statement on voting rights, signed manuscript, 1866. $20,000 to $30,000.
    Swann, Mar. 20: Lot 164: W.E.B. Du Bois, What the Negro Has Done for the United States and Texas, Washington, circa 1936. $3,000 to $4,000.
    Swann
    Printed & Manuscript African Americana
    March 20, 2025
    Swann, Mar. 20: Lot 263: Susan Paul, Memoir of James Jackson, Boston, 1835. $6,000 to $9,000.
    Swann, Mar. 20: Lot 267: Langston Hughes, Gypsy Ballads, signed translation of García Lorca's poetry, Madrid, 1937. $1,500 to $2,500.
    Swann, Mar. 20: Lot 274: Malcolm X, Collection from Alex Haley's estate, 38 items, 1963-1971. $4,000 to $6,000.
    Swann, Mar. 20: Lot 367: Solomon Northup, Twelve Years a Slave, Auburn, NY, 1853. $2,500 to $3,500.
    Swann, Mar. 20: Lot 402: Anna Julia Cooper, A Voice from the South, Xenia, OH, 1892. $2,000 to $3,000.
  • Koller, Mar. 26: Wit, Frederick de. Atlas. Amsterdam, de Wit, [1680]. CHF 20,000 to 30,000
    Koller, Mar. 26: Merian, Maria Sibylla. Der Raupen wunderbare Verwandelung, und sonderbare Blumennahrung. Nürnberg, 1679; Frankfurt a. M. und Leipzig, 1683. CHF 20,000 to 30,000
    Koller, Mar. 26: GOETHE, JOHANN WOLFGANG VON. Faust. Ein Fragment. Von Goethe. Ächte Ausgabe. Leipzig, G. J. Göschen, 1790. CHF 7,000 to 10,000
    Koller, Mar. 26: Hieronymus. [Das hochwirdig leben der außerwoelten freünde gotes der heiligen altuaeter]. Augsburg, Johann Schönsperger d. Ä., 9. Juni 1497. CHF 40,000 to 60,000.
    Koller, Mar. 26: BIBLIA GERMANICA - Neunte deutsche Bibel. Nürnberg, A. Koberger, 17. Feb. 1483. CHF 40,000 to 60,000
    Koller, Mar. 26: HORAE B.M.V. - Stundenbuch. Lateinische Handschrift auf Pergament, Kalendarium französisch. Nordfrankreich (Rouen?). CHF 25,000 to 40,000

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