Rare Book Monthly

Articles - June - 2022 Issue

NFTs – A Cautionary Tale

NFTs (non-fungible tokens) have become the rage in collecting over the past year. NFTs are essentially a digital version of something with an electronic “token” attached which makes it unique. The nature of digital copies, like prints or books, is more like a commodity, multiple copies that are otherwise all the same. They differ from things like original artwork where each one is by its nature unique. Something that displays on anyone's computer screen is the opposite of being unique.

 

Rarity, or even better, uniqueness, are common attributes of collectibles. However, something of unlimited quantities, like grains of sand, is about the last thing people want to collect. Digital images, which can be copied onto an unlimited number of monitors, are a terrible choice for collecting. Still, this is a digital world, and that's how more and more things are created today. How do you make such a thing collectible?

 

Some clever person came up with the idea of an NFT. This electronic token is attached to an original work, making that particular one unique, even if they all look the same to the naked eye. It sounds like a crazy idea until last year when someone paid $69 million for an NFT registered piece of digital art by “Beeple.” No one was laughing anymore after that.

 

As an early adapter to digital technology, books were a natural for NFTs. Electronic books predate the internet through discs and CDs, but it was with the delivery capabilities of the internet that they took off. Early eBooks were designed for specific eReaders, Amazon and Barnes & Noble being pioneers in those, but now they are easily read on any old computer. However, with more books being sold in digital versions, there was nothing for collectors to collect. NFTs to the rescue!

 

Special copies, which as best I can tell look the same as unspecial copies, can have a digital token attached. It is now unique, or if you prefer to have a limited edition so you can sell more than one but still keep it rare, you can place tokens on multiple copies. As the author or publisher, it is in your hands, just as it is with paper copies.

 

Now there is a company and website designed to enable you to publish and sell your NFT books. All you have to do is write it. It's name is Creatokia. They will be able to explain how all this works as I can't. They use blockchain to provide your permanent record of ownership, something else I don't understand. However, you can transfer your ownership as with physical objects. Collecting NFTs has some advantages, such as you can't lose it, have it stolen or forged, or see it destroyed in a fire. It requires no space, you don't need to keep it in a climate controlled environment or insure it. What's not to like, so long as you aren't a tactile person?

 

Creatokia may be given to a little hyperbole, but they are believers in books and NFTs. Going back to clay tablets and papyrus, then Gutenberg, the book trade, faster presses and then eBooks, they explain, “Books have a very long history. Even in ancient times, the book trade was fundamental to recording knowledge and making it accessible to people. … The book is one of the foundations on which our cultural identity is based. And even though the book is at a turning point in today's electronic age, we at Creatokia are convinced that it will continue to play its elemental role in human history. That's why we've created a platform that introduces the next big step in publishing: NFT Books.”

 

Time will tell if this turns out to be as important as Gutenberg, but one should approach collecting in NFTs with some care. It is either going to be an enormous success or a bursting bubble. According to a report posted by Axios, NFT sales in 2021 were $17.7 billion, over 200 times 2020 sales of $82.5 million. On the other hand, in early April, The Wall Street Journal reported that weekly sales of NFTs had dropped to 19,000 from a high last September of 225,000, a decline of 92%. Was that a hiccup on the road to the future or a sign of a bursting bubble? It's easy for those of us who think the whole concept is ridiculous to write them off, but I wasn't much impressed with the idea of Tik Tok or Twitter when they first appeared either.

 

That brings us to one final caution for buyers of NFTs. Twitter founder Jack Dorsey sold an NFT of his first “tweet” a year ago March for $2.9 million. The buyer was Sina Estavi, described as a crypto entrepreneur. With the growth in NFTs in the year following he must have expected an enormous increase in value. He put it up for auction last month looking for $48 million. He got 7 bids, ranging from $6 to $277. That is $277, not $277 million. He reportedly got an offer for a little over $10,000 later on, but even so, that is not a very good return on investment. Estavi is holding onto his NFT, still convinced it will pay out. Maybe. Time will tell.


Posted On: 2022-06-09 02:44
User Name: drwatson

PT Barnum. Nuff Said.


Posted On: 2022-06-27 00:12
User Name: keeline

You can't get a creator to sign it.

You can't hang it on your wall.

It is debatable whether you can resell it.

Truly an example of some people having "more dollars than sense."


Rare Book Monthly

  • Forum Auctions
    Fine Books, Manuscripts and Works on Paper
    27th March 2025
    Forum, Mar. 27: Dürer (Albrecht) Hierin sind begriffen vier bücher von menschlicher Proportion, 4 parts in 1, first edition, Nuremberg, Hieronymus Andreae for Agnes Dürer, 1528. £30,000 to £40,000.
    Forum, Mar. 27: Book of Hours, Use of Rome, illuminated manuscript in Latin, on vellum, 26 fine hand-painted miniatures, 17th century dark brown morocco, [Lyon], [c. 1475 and later c. 1490-1500]. £25,000 to £35,000.
    Forum, Mar. 27: Brontë (Emily) The North Wind, watercolour, [1842]. £15,000 to £20,000.
    Forum, Mar. 27: Titanic.- Mudd (Thomas Cupper, one of the youngest victims of the sinking of the Titanic, 1895-1912) Autograph Letter signed on board RMS Titanic to his mother, April 11th 1912. £20,000 to £30,000.
    Forum Auctions
    Fine Books, Manuscripts and Works on Paper
    27th March 2025
    Forum, Mar. 27: [Austen (Jane)] Emma: A Novel, 3 vol., first edition, for John Murray, 1816. £10,000 to £15,000.
    Forum, Mar. 27: Picasso (Pablo).- Ovid. Les Metamorphoses, one of 95 copies, signed by the artist, Lausanne, Albert Skira, 1931. £10,000 to £15,000.
    Forum, Mar. 27: America.- Ogilby (John) America: Being the Latest, and Most Accurate Description of the New World..., all maps with vibrant hand-colouring in outline, probably by an early hand, 1671. £15,000 to £25,000.
    Forum, Mar. 27: Iceland.- Geological exploration.- Bright (Dr. Richard )and Edward Bird. Collection of twenty original drawings from travels in Iceland with Henry Holland and George Mackenzie, watercolours, [1810]. £20,000 to £30,000.
  • Forum Auctions
    The Library of Barry Humphries
    26th March 2025
    Forum, Mar. 26: Beckford (William) [Vathek] An Arabian Tale, first (but unauthorised) edition, Lady Caroline Lamb's copy with her signature and notes, 1786. £2,000 to £3,000.
    Forum, Mar. 26: Baudelaire (Charles) Les Fleurs du Mal, first edition containing the 6 suppressed poems, first issue, contemporary half black morocco, Paris, 1857. £4,000 to £6,000.
    Forum, Mar. 26: Beardsley (Aubrey).- Pope (Alexander) The Rape of the Lock, one of 25 copies on Japanese vellum, Leonard Smithers, 1896. £4,000 to £6,000.
    Forum, Mar. 26: Douglas (Lord Alfred) Sonnets, first edition, the dedication copy, with signed presentation inscription from the author to his wife Olive Custance, The Academy, 1909. £2,000 to £3,000.
    Forum Auctions
    The Library of Barry Humphries
    26th March 2025
    Forum, Mar. 26: Crowley (Aleister) The Works..., 3 vol. in 1 (as issued)"Essay Competition" issue on India paper, signed presentation inscription from the author, 1905-07. £1,500 to £2,000.
    Forum, Mar. 26: Rodin (Auguste).- Mirbeau (Octave) Le Jardin des Supplices, one of 30 copies on chine with an additional suite, bound in dark purple goatskin, Paris, 1902. £3,000 to £4,000.
    Forum, Mar. 26: Pellar (Hans) Eight original book illustrations for 'Der verliebte Flamingo' [together with] a published copy of the first edition of the book, 1923. £6,000 to £8,000.
    Forum, Mar. 26: Cretté (Georges, binder).- Louÿs (Pierre) Les Aventures du Roi Pausole, 2 vol., one of 99 copies, with 2 original drawings, superbly bound in blue goatskin, gilt, Paris, 1930. £3,000 to £4,000.
  • Sotheby's
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    Sotheby’s: The Shem Tov Bible, 1312 | A Masterpiece from the Golden Age of Spain. Sold: 6,960,000 USD
    Sotheby’s: Ten Commandments Tablet, 300-800 CE | One of humanity's earliest and most enduring moral codes. Sold: 5,040,000 USD
    Sotheby’s: William Blake | Songs of Innocence and of Experience. Sold: 4,320,000 USD
    Sotheby’s: The Declaration of Independence | The Holt printing, the only copy in private hands. Sold: 3,360,000 USD
    Sotheby's
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    Sotheby’s: Thomas Taylor | The original cover art for Harry Potter and the Philosopher's Stone. Sold: 1,920,000 USD
    Sotheby’s: Machiavelli | Il Principe, a previously unrecorded copy of the book where modern political thought began. Sold: 576,000 GBP
    Sotheby’s: Leonardo da Vinci | Trattato della pittura, ca. 1639, a very fine pre-publication manuscript. Sold: 381,000 GBP
    Sotheby’s: Henri Matisse | Jazz, Paris 1947, the complete portfolio. Sold: 312,000 EUR
  • Swann
    Printed & Manuscript African Americana
    March 20, 2025
    Swann, Mar. 20: Lot 7: Thomas Fisher, The Negro's Memorial or Abolitionist's Catechism, London, 1825. $6,000 to $9,000.
    Swann, Mar. 20: Lot 78: Victor H. Green, The Negro Travelers' Green Book, New York, 1958. $20,000 to $30,000.
    Swann, Mar. 20: Lot 99: Rosa Parks, Hand-written recollection of her first meeting with Martin Luther King Jr., autograph manuscript, Detroit, c. 1990s. $30,000 to $40,000.
    Swann, Mar. 20: Lot 154: Frederick Douglass, Autograph statement on voting rights, signed manuscript, 1866. $20,000 to $30,000.
    Swann, Mar. 20: Lot 164: W.E.B. Du Bois, What the Negro Has Done for the United States and Texas, Washington, circa 1936. $3,000 to $4,000.
    Swann
    Printed & Manuscript African Americana
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    Swann, Mar. 20: Lot 263: Susan Paul, Memoir of James Jackson, Boston, 1835. $6,000 to $9,000.
    Swann, Mar. 20: Lot 267: Langston Hughes, Gypsy Ballads, signed translation of García Lorca's poetry, Madrid, 1937. $1,500 to $2,500.
    Swann, Mar. 20: Lot 274: Malcolm X, Collection from Alex Haley's estate, 38 items, 1963-1971. $4,000 to $6,000.
    Swann, Mar. 20: Lot 367: Solomon Northup, Twelve Years a Slave, Auburn, NY, 1853. $2,500 to $3,500.
    Swann, Mar. 20: Lot 402: Anna Julia Cooper, A Voice from the South, Xenia, OH, 1892. $2,000 to $3,000.
  • Koller, Mar. 26: Wit, Frederick de. Atlas. Amsterdam, de Wit, [1680]. CHF 20,000 to 30,000
    Koller, Mar. 26: Merian, Maria Sibylla. Der Raupen wunderbare Verwandelung, und sonderbare Blumennahrung. Nürnberg, 1679; Frankfurt a. M. und Leipzig, 1683. CHF 20,000 to 30,000
    Koller, Mar. 26: GOETHE, JOHANN WOLFGANG VON. Faust. Ein Fragment. Von Goethe. Ächte Ausgabe. Leipzig, G. J. Göschen, 1790. CHF 7,000 to 10,000
    Koller, Mar. 26: Hieronymus. [Das hochwirdig leben der außerwoelten freünde gotes der heiligen altuaeter]. Augsburg, Johann Schönsperger d. Ä., 9. Juni 1497. CHF 40,000 to 60,000.
    Koller, Mar. 26: BIBLIA GERMANICA - Neunte deutsche Bibel. Nürnberg, A. Koberger, 17. Feb. 1483. CHF 40,000 to 60,000
    Koller, Mar. 26: HORAE B.M.V. - Stundenbuch. Lateinische Handschrift auf Pergament, Kalendarium französisch. Nordfrankreich (Rouen?). CHF 25,000 to 40,000

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