The Library of Barry Humphries to be sold on March 26th at Forum
On 26th March, Forum Auctions will offer the library of Barry Humphries. The sale will feature a remarkable array of books, manuscripts, works on paper and objects from the extensive library of the legendary comedian, actor, author, and satirist Barry Humphries (1934-2023), who delighted audiences for several decades with his eccentric stage and television characters Dame Edna Everage and Sir Les Patterson.
Ben Macintyre, a long-time friend of Humphries, once noted that while most people knew ‘Humphries as Dame Edna Everage or Sir Les Patterson […] another of his characters, and a defining one, [was] an old-fashioned, self-proclaimed bibliomaniac’. Born and raised in a suburb of Melbourne, Victoria, the renowned entertainer was in his personal life an ardent literary enthusiast, who purchased rare books from a very early age and ultimately became one of Australia’s foremost collectors in the field. One of just 40 members of the exclusive Roxburghe Club – a society for bibliophiles – his house in south Hampstead, London, contained 7,000 books, many of them first editions from the late 19th and early 20th centuries.
The sale at Forum comprises highlights from the remarkable library, a testament to Humphries’ taste for the beautiful and the unusual. The 1890s and the Decadent Movement are an undoubted focal point of the collection. While this certainly includes plenty of works by or relating to the better-known figures from the period such as Oscar Wilde and Aubrey Beardsley, Humphries’ love of the obscure drove him to unearth rare titles by lesser known figures: Lionel Johnson, Andre Raffalovich and Ernest Dowson, to name a few. Even when collecting standard works by Wilde, Humphries could not resist to bring his unique sense of humour to the fore – a first edition of Wilde’s Dorian Gray, published in Lippincott’s magazine, is here found bound in purple cane toad.
Bindings were another passion for Humphries and again, while he owned many sumptuous bindings that you might expect to find in other great libraries, including richly gilt morocco bindings by Cretté and Paul Kersten, his unique eye and style is evident here. A large number of the books are housed in boxes designed by Humphries himself and these can range from replications of pictorial cloth (the eponymous mist of M.P. Shiel’s The Purple Cloud is recreated with inlayed purple morocco) to more abstract decorations and even the odd sly joke (his native cane toad again makes an appearance here).
The Gothic and macabre are also a running theme, from the likes of Ann Radcliffe and Beckford (including his own copy of his gothic masterpiece Vathek and several books owned and annotated by him) to later masters of supernatural and weird fiction such as Sheridan Le Fanu, M. P. Shiel and M. R. James. Aleister Crowley was clearly another favourite, appealing both to the bibliomaniac with the extraordinary rarity of some of his works (Humphries owned one of only two copies on vellum of Ahab and other poems, the only copy that remains in private hands) and seemingly also to Humphries’ humour and his love of the bohemian and transgressive; an aspect of his character that is evident in so many items in this extraordinary collection.
From here we could go on. Rather, we suggest you go to the Forum website: https://www.forumauctions.co.uk/The-Library-of-Barry-Humphries/26-03-2025?gridtype=gridview
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